Not widely seen, Alice features Woody Allen's frequent theme of magical realism, something he returned to sixteen years later in. Alice Tate is a mother of two and sixteen-years married.
Raised a devout Catholic, she gets involved with a handsome saxophone player named Joe. Alice sees a Chinese doctor about her back problems, who informs her that her problems stem from her life, and proceeds to prescribe a series of various rare herbs that test her inhibitions. Main Cast Noteables Joe Mantegna Joe Mia Farrow Alice Tate William Hurt Doug Tate Blythe Danner Dorothy Alec Baldwin Ed Bernadette Peters Muse Cybill Sheperd Nancy Brill June Squibb Hilda Marceline Hugo Monica Dylan O'Sullivan Farrow Kate Patrick O'Neal Alice's Father Gwen Verdon Alice's Mother Julie Kavner Decorator Holland Taylor Helen Movie Remarks. Playing the protagonist in, Woody Allen quips that people should mate for life, like pigeons or Catholics.
So, who gets the final say so? Such is the question of Allen's 1989 film Alice, which develops Allen's ideas of fidelity further.
This time, the main character, played by Mia Farrow, finds herself in middle age examining her life, her marriage and specifically her devotion to fidelity. Although she doesn't interact with the aforementioned happily married pigeons, she does have a recurring dream of meeting her lover around penguins. (Another species who mates for life) She's smitten for Joe Mantega, and sees herself locked in a passionate embrace with him. Dreaming is easy for her considering she's locked into a passionless marriage with a wealthy Wall Street businessman, played by William Hurt, who turns out playing a rake extremely well. Alice may also be one of the most honest portrayals of Farrow, who has, like her character in the movie, resolved personal drama by focusing on raising her children and working for humanitarian issues. Perhaps Allen believes Farrow spends her time acting like she's Mother Theresa. As a movie, everything works.
It's not as heavy-handed as. Nor is it as relentlessly dramatic as, a film made two years earlier that actually features many of the same themes. (In the main character, Gena Rowlands, reassesses her life's turns in flashback, imagining old and fictitious conversations with members of the family.) Watching Alice it's impossible not to notice a number of cinematic references such as Alice's romance with a saxophone player; essentially the Chinese herbs turned her into 'Marilyn Monroe' in Some Like It Hot. Her society friends, notably Helen (Holland Taylor), is a backstabbing Rosalind Russell right out of The Women, right down to the jungle red fingernail polish. And of course, the color red has a broader significance throughout the film, representing Alice's personal emancipation. It's when she's wearing the red hat (as seen on the movie poster) that's she's bold and confident, almost like she's another woman.
Finding trivia about Alice was a challenge. It is as scarce as hen's teeth, but, here goes.
Not widely seen, Alice features Woody Allen's frequent theme of magical realism, something he returned to sixteen years later in. Alice Tate is a mother of two and sixteen-years married.
Raised a devout Catholic, she gets involved with a handsome saxophone player named Joe. Alice sees a Chinese doctor about her back problems, who informs her that her problems stem from her life, and proceeds to prescribe a series of various rare herbs that test her inhibitions.
Main Cast Noteables Joe Mantegna Joe Mia Farrow Alice Tate William Hurt Doug Tate Blythe Danner Dorothy Alec Baldwin Ed Bernadette Peters Muse Cybill Sheperd Nancy Brill June Squibb Hilda Marceline Hugo Monica Dylan O'Sullivan Farrow Kate Patrick O'Neal Alice's Father Gwen Verdon Alice's Mother Julie Kavner Decorator Holland Taylor Helen Movie Remarks. Playing the protagonist in, Woody Allen quips that people should mate for life, like pigeons or Catholics.
So, who gets the final say so? Such is the question of Allen's 1989 film Alice, which develops Allen's ideas of fidelity further. This time, the main character, played by Mia Farrow, finds herself in middle age examining her life, her marriage and specifically her devotion to fidelity. Although she doesn't interact with the aforementioned happily married pigeons, she does have a recurring dream of meeting her lover around penguins. (Another species who mates for life) She's smitten for Joe Mantega, and sees herself locked in a passionate embrace with him. Dreaming is easy for her considering she's locked into a passionless marriage with a wealthy Wall Street businessman, played by William Hurt, who turns out playing a rake extremely well. Alice may also be one of the most honest portrayals of Farrow, who has, like her character in the movie, resolved personal drama by focusing on raising her children and working for humanitarian issues.
Perhaps Allen believes Farrow spends her time acting like she's Mother Theresa. As a movie, everything works. It's not as heavy-handed as.
Nor is it as relentlessly dramatic as, a film made two years earlier that actually features many of the same themes. (In the main character, Gena Rowlands, reassesses her life's turns in flashback, imagining old and fictitious conversations with members of the family.) Watching Alice it's impossible not to notice a number of cinematic references such as Alice's romance with a saxophone player; essentially the Chinese herbs turned her into 'Marilyn Monroe' in Some Like It Hot. Her society friends, notably Helen (Holland Taylor), is a backstabbing Rosalind Russell right out of The Women, right down to the jungle red fingernail polish. And of course, the color red has a broader significance throughout the film, representing Alice's personal emancipation. It's when she's wearing the red hat (as seen on the movie poster) that's she's bold and confident, almost like she's another woman. Finding trivia about Alice was a challenge.
It is as scarce as hen's teeth, but, here goes.
Nun (uncredited) Produced. Executive producer. Associate producer.
Associate producer (as Thomas Reilly). Executive producer Cinematography. Director of photography Film Editing by Casting By Production Design by Art Direction by Set Decoration by Costume Design by Makeup Department. Make-up artist. Hairstylist Production Management. Assistant production manager.
Production manager Second Unit Director or Assistant Director. Second assistant director. First assistant director (as Thomas Reilly). Second assistant director (uncredited) Art Department. Standby carpenter (as Joe Alfieri).
Chief construction grip. Art department coordinator. Property master.
Construction coordinator. Standby scenic artist. Master scenic artist. Head carpenter (uncredited) Sound Department. Re-recording mixer: Sound One Corporation. Sound recordist.
Supervising sound editor (as Bob Hein). Sound editor.
Assistant sound editor. Assistant sound editor.
Production sound mixer. Boom operator Special Effects.
Special effects rigging (as Bob Harman) Visual Effects. Visual effects storyboard. Visual effects supervisor: Balsmeyer & Everett.
Motion control operator. Blue screen consultant: Balsmeyer & Everett (as Stan Sayer). Optical cameraman (uncredited) Stunts. Stunt double: Alec Baldwin (uncredited) Camera and Electrical Department.
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Second assistant cameraperson. Gyrosphere assistant camera. Assistant cameraperson. Still photographer.
Gyrosphere camera operator (as Mike Kelem). Camera operator. Camera assistant trainee. Key grip (as Bob Ward). Video engineer Casting Department. Additional casting: Todd Thaler Casting.
Alice Woody Allen Film
Casting associate. Casting assistant.
Adr voice casting (uncredited) Costume and Wardrobe Department. Wardrobe supervisor: men. Wardrobe supervisor: women. Costume assistant. Costume assistant. Assistant costume designer. Wardrobe (uncredited) Editorial Department.
Assistant film editor. Assistant film editor Location Management. Location scout. Location scout. Location scout. Location scout.
Location manager Music Department. Musician (uncredited) Transportation Department. Transportation captain.
Transportation captain. Driver (uncredited) Other crew. Production assistant. Production assistant. Production assistant. Assistant production coordinator. Script supervisor.
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Assistant production auditor. Production auditor. Studio manager.
Assistant: Mr. Production assistant. Production assistant. Production coordinator. Craft service (as Scott Shaffer). Production assistant.
Studio manager. Production assistant. Production assistant (uncredited). Production assistant: New York (uncredited). Production assistant (uncredited). Production assistant (uncredited) Thanks. The producers wish to thank for their assistance: NBA Entertainment.
The producers wish to thank: Island Helicopter Corporation (as Al Cerullo Jr.). The producers wish to thank for their assistance. The producers wish to thank for their assistance: 'Calcutta' movie.
Solid state chemistry lies at the heart of many significant scientific advances from recent decades, including the discovery of high-temperature superconductors, new forms of carbon and countless other developments in the synthesis, characterisation and applications of inorganic materials. University of Sheffield. Solid State Chemistry and its Applications, 2nd Edition: Student Edition is an extensive update and sequel to the bestselling textbook Basic Solid State Chemistry, the classic text for undergraduate teaching in solid state chemistry worldwide. Looking forward, solid state chemistry will be crucial for the development of new functional materials in areas such as energy, catalysis and electronic materials.
The producers wish to thank for their assistance. The producers wish to thank for their assistance: photographs courtesy of. The producers wish to thank for their assistance Crew verified as complete.
's 'Alice' snatches its heroine out of the cradle of luxury and takes her on a dizzying tour of the truths in her life, fueled by the mysterious herbal teas of an enigmatic acupuncturist. It's a strange, magical film, in which Allen uses the arts of the ancient Chinese healer as a shortcut to psychoanalysis; at the end of the film, which covers only a few days, Alice has learned truths about her husband, her parents, her marriage, her family and herself, and has undergone a profound conversion in values. Because this is a Woody Allen film, a lot of that metaphysical process is very funny. Stars as Alice, who has no apparent relationship to Alice in Wonderland but finds her own looking-glass in the dingy walk-up offices of the highly recommended Dr. Yang in New York's Chinatown. He asks her to gaze into a spinning wheel while he hypnotizes her, and then he discovers, as he suspected all along, that her pains are not in her back, as she claims, but in her heart. She leads a comfortable life, cut off from all sources of suffering and therefore also of joy.
She and her husband live in a Manhattan apartment that has been interior-designed to within an inch of its life. Also occupying their home, in supporting roles, are a cook ('I couldn't get free-range chickens today!'
), a nanny, and of course their small assortment of two children. It's the kind of house where support personnel are constantly ringing the doorbell: Here comes the trainer now. Alice has been married for 16 affluent years to Doug, a stockbroker played by Hurt as a kind of human deflecting machine, whose physical and verbal postures seem designed to avoid any kind of actual contact. He's always changing the subject, usually into silence. One day Alice is taking the kids to school and drops a book on the stair, and the book is returned by a dark, handsome stranger , and instantly she begins thinking about having an affair. The very notion shocks and thrills her, and after Dr.
Yang discovers her secret, he gives her various herbal potions, including one to make her invisible, and another that gives her the knack of talking seductively. Yang has really done is to release her from all inhibitions, psychological and physical, so she's free to range widely through her current and past life. She confronts her sister. She has an imaginary conversation with her husband. She levels with her mother. She is even taken on a flight over Manhattan by the ghost of a former boyfriend. The movie uses Allen's unique style of off-center, fast-thinking dialogue, with throwaway lines and quick topical references.
Everyone in the story is fairly smart, although some are in over their heads, like the Mantegna character, who cannot quite understand why this strange woman is first seducing, then abandoning him. A lot of the material in the film spins out of Alice's childhood Catholicism; perhaps she still clings to a notion that some day she might become a nun, instead of a parasitic consumer of goods. The world of 'Alice' is the rich world of Manhattan, where the homeless and the poor are seldom seen. This is a world inhabited by countless stars in supporting roles, including, and. (The old boyfriend is played by, and is transparent in every scene.
It is somehow typical of Woody Allen to obtain the latest box-office superstar for his cast, and then neglect to make him opaque.) The women in this world are intimate with boutiques, hair salons, chic restaurants and the interiors of limousines. Yet Alice can somehow not get the image of Mother Theresa out of her mind.
Perhaps if she went to Calcutta, if she became a follower of Mother Theresa, then would these vague stirrings of unease stop tormenting her? In a Woody Allen picture all such developments and U-turns are of course eminently thinkable, and one of the best things about 'Alice' is that the characters are not linear creatures, hell-bent on moving in a straight line from the beginning of the movie to the end. 'Alice' lacks the philosophical precision of Allen's ',' and the psychological messiness of ',' and it also lacks the rigorous self-discovery of his underrated '.' It's in the tradition of his more whimsical films, like '.' And yet lurking in the shadows are some seductive questions. Wouldn't it be wonderful if there were a man like Dr.
Yang, a deus ex machina to drop into our lives with his herbs and paraphernalia, and lift the scales from our eyes, and free us from our petty routines and selfishness, and allow us to practice the sainthood we have always suspected lies buried deep inside?